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Syntax trumps Semantics. Badiou and recursiveness

15-Feb-12

Here’s a good post from Graham on Badiou.

This is the weird thing about Badiou that I can’t get my head around. Knowing what I’m going to say next will probably provoke a ‘misreading’ of some sort. I’ll have to be brief and hence, woefully disingenuous (despite what I say, I have deep respect for Badiou’s work).

This is only something that has really made sense since I began to re-read the Badiouian corpus. For Badiou, there is nothing behind number, quite literally. This is the anti-Heideggerian move that Badiou puts forward in the beginning of B&E (although Graham’s right, he’s doesn’t have a dialogue with Heidegger as much as one would suppose); number and thus sets of number are thoroughly immanent, and thus cannot be founded on anything deeper than a formal structure of the void in a real presentation or representation.

Before ones delves into the math, Being is presentation, and thus consistent and inconsistent multiplicity of sets are derived from the same Being-ness in presentation. The outcomes of this has only made sense to me recently; for most people who have an interest in this, but don’t consider philosophy to be their primary field, one would have thought that for Badiou, Being is mathematical. In fact it isn’t, it’s more discursive than that. Set theory establishes what is expressible in presentation, and Badiou makes the case that immanent presentation is ‘all’ there is (much more so in N&N incidentally). Real sets are all there must be in their unbridled immanence. One could, if they were a betting man, wager that this is where Meillassoux gets his ‘creation from ex-nihilio’ trope from – another mathematical thinker of immanence. There is nothing deeper than what must be given – a Hegelian move if ever there was one.

This is one of the bigger gripes that I have with semantic-lead ontologies – especially Badiou who promotes an specific anti-constructivist ontology of number, with nothing behind it. It’s focused on a thought centred structure of meaning onto a flat immanent system of formal semantics, with the ‘real’ posited somewhere that doesn’t really fit or can’t be presented immanently, but not from something concealed from presentation itself – otherwise Heidegger would creep in through the back door.

Now I know Badiouian’s are fond of countering this with “No – the agent is not human, nor biological, nor founded on anything”. This is why Badiou favours the semantic led approach to a set theoretical ontology. Everything is founded on ‘nothing’. Praxis is delivered through an unfolding, unbounded contingent order, occasionally punctured by some real alibi, just to check it isn’t idealism every now and then.

Here’s the problem, (which at some point I will hopefully be able to explain in better detail than this); anti-constructivism distorts Badiou’s appropriation of set theory and Being. Apart from Badiou’s two early essays in Cashiers pour l’analyse (and these essays are vastly different from the Badiou most know; they are almost militantly anti-subject-Brassieresque), he never sufficiently deals with computer science’s own take on number and computational sets. The question we must ask is why?

My own take on this is that Badiou is not willing to surrender recursive procedures away from human concepts. When you are discussing any aspect of axiomatic set theory, you have to rely on recursion. In discussing the infinite set of natural numbers, or primes for instance, one must use a finite procedure recursively to derive what elements are in that set. Set theory is fundamentally built on recursion, which is why systems like Godel numbering achieved so much progress in the 40s.

What Badiou ignores in the history of number is the very fact that before the 40s, both Turing and Church independently discovered automated mechanisms which could automate identical recursive equivalences of mathematical reasoning. The very sort of recursion that humans thought they were particularly good at.

Bizarrely enough in Turing’s 1936 paper you even have a computational version of the Cantorian diagonal proof, which showed that in a list of computable algorithmic sets, there must always be an uncomputable ‘real’ number.

Even though Badiou never talks about this, one would have to assume given Badiou’s deep political system he’d have to account for it. If Badiou does, he faces two consequences, both of which aren’t particularly fun to accept.

1.) The first is that the ‘rare’ subject or the agent that performs the operation of the ‘count-for/as-one’ must be something other than human thought, i.e, a computer function or system. Although Badiouians are always careful not to conflate political activity and subjectification with ‘human’, tendencies, in my opinion, Badiou doesn’t give any explicit ground to suggest this magical ability is available to anything other than human thought. But one could envisage this criteria applying to an automated computational procedure just as much as a human one. No one has yet disproved it anyway.

2.) Computational procedures and their formal languages can only be interpreted as real sets just like any other set-like situation. Only subjects have a pivoted ‘true’ access to the real of a non-represented presentation.

Most Badiouians will probably plump for choice number two; and this second choice explains a lot, because during the 70s, early 80s Badiou’s ‘evental’ turn turned from eliminating the subject in favour of a mechanic a-subjective science, to favouring an objectless – subject born out of a truth procedure. No need to go into details here for now, suffice to say the relationship between Althusserian science and the Lacanian ‘Real’ changed Badiou’s thought dramatically.

Given that both positions still try to rescue a semantic viewpoint, they are rendered problematic by the fact that these equivalent procedures are constructed by syntactical recursive rules and strings. Here’s where Badiouians tend to come unstuck. By immediately subscribing to the Badiou school of anti-constructivist number, and rejecting subjective intuition (usually associated with mathematical constructivism) Badiouian scholars unnecessarily remove any question concerning independent procedures that are constructed by automated syntactical recursion. That formal systems, derived from sets, grammar and inference rules have the capacity to generate (or enumerate) phenomena one might never expect. And the crucial point is that these surprises emerge from the procedures themselves, not from ‘nothing’. If one accepts this (very hurried) notion, Badiou’s immanence goes out the window, precisely because formal rules of syntax actually ‘do things’ beyond the presentation of immanent sets.

Of course as Graham states, most Badiouian’s are so quick to bank on the politics that they accept certain problems concerning the ontological foundations. True, this mini post deals with more of the wider historical relevance in computer science than one usually associates, but nonetheless – specific troubling consequences emerge.

Some (very quick) thoughts on Critical Engineering

11-Feb-12

I’ve been following an interesting thread over on the Empyre forums between Cesar Baio, Simon Biggs, Davin Heckman and Gabriel Menotti. It’s basically a conversation on the ambiguous nature of accessible artworks created by technology and in particular, computing programming languages. I was struck by a comment made by Julian Oliver (who recently showed some fantastic work at transmediale, part of the Labor Berlin show).

Simon Biggs: “Much contemporary computer based art work has a cargo-cult like quality due to such illiteracy. This can be interesting but usually in spite of itself.”

Julian Oliver: “Indeed, also one of the fruits of Bricolage. However with a language like Engineering having such influence over the lives and minds of people – how we eat, travel, communicate – I really think you need to speak the language to truly act critically within its scope.

This is what we sought to underscore in the manifesto:

http://criticalengineering.org

I’ve talked to several artists that have expressed disempowerment in this age of database automation, google maps, wireless networking, the Cloud etc – technologies that shape how they live and even their practice yet they find no entry point to dissassembling and thus critically engaging them. It’s not enough to talk about how we are influenced by all this engineering – technology that becomes social, political and cultural infrastructure – this leaves us in little better position. It must be engaged it directly to understand the mechanics of influence. This is the difference between a topic (technology) and as a material (engineering).

Most that receive this email will have little or no idea how it arrived to their inbox, unable to accurately describe it to another, not even close. At the same time most would be able to describe how a postcard arrived at their friends mailbox. Just 15 years..

Ignorance as to how these engineered infrastructures actually function, what they do and what is done with them behind their own presentation, is actively being abused both inside and out of democracies.”

Clearly there’s much truth here. Understanding how technologies work (especially the proprietary ones) and how they construct and mediate technological experience adds heft to ones artistic ability to undermine and tinker with those structures if need be. At present this is now badged with the ‘new materialism’ trend blossoming around media studies; an interest in the material connections and contingent points of technological construction. This is a materialism I can get on board with – finding entry points and understanding the connections. Kudos to Julian for making the stakes clear.

My response to this however is to reinforce some ontological questioning on behalf of those technologies that we wish to critically engineer. Humans are incredibly good at being sanguine about their technological reliance, as Julian suggests. Hardly any of us are aware of the almost infinitesimal amount of functions, strings, algorithms and bits which construct our mediated existence, proprietary or open source – but we’d need not beat ourselves up over the lack of freedom that comes with it.

If Heidegger ever taught us anything about technology (the menacing Bremen lectures notwithstanding) it’s that daily existence itself constantly misses most of the elements that construct our limited experience. Both proprietary programming and open source programming conceal their functions from us, because they are coded using the paradigmatic logic of encapsulation (which is part of a bigger relationship between ontology as philosophy and ontology as programming). The difference, the crucial difference, is that open source is built with an additional precondition of open modification.

It’s worth reminding that human experience does not execute strings, nor compile a source language into a target language, the things themselves do this. We never, nor will have absolute knowledge of computing functions.

This is why I’m always concerned (yet generally supportive) with software studies. One gets the general sense (and Wendy Chun has said something similar I believe) that one has cracked some meaningful challenge if one discovers the ‘source’ of proprietary software. That the finding of the source is only goal for meaningful political activity (for example the recent trend of printing the fork bomb script on T-Shirts – as if simply knowing the code conceptually is enough knowledge).

I’d suggest that being ‘critically engaged’ with our reliance on media need not involve seeking the source or accurately describing every last detail of how a code works. Being critically engaged must begin with surrendering conceptual knowledge of the thing itself. You are not the thing. This need not be a backstep, because it can be said that political activity itself is built from such a lack of knowledge. You think private companies know absolutely every last detail about the platforms and software they create? Of course they don’t. Computing, source code or otherwise, does not favour your knowledge and expectation – it’s history has been shown to thoroughly surprise any capacity to know and to critique. Artistic practice is in fact ideally suited to articulate this capacity to surprise.

The longest URL for my blog

05-Feb-12

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Because some people need bigger URLs.

Berlin pics

05-Feb-12

I only managed to take three. But the first one is of a panel I attended on anonymous and viral modes of political engagement. As you can imagine, the Q&A of that session was, well, slightly weird. The second is the main building where Transmediale usually takes place, the Haus der Kulturen der Welt; a building where the auditorium is suspended at the top of the building.

“Why would you want to end your career like this?”

03-Feb-12

That’s what someone said to me earlier today, when I talked about the importance of Greenberg. Not unexpected of course – but it makes no sense to be ignorant about him. When I asked for the reason behind this opinion, the smug self-satisfaction of ‘you don’t understand’ and ‘we’re past this’ comes to the fore; the rolling of the eyes, the satisfaction of defence in group discussion and so on…

Well ignore me then. I don’t defend Greenberg to be radical for the sake of being some sort of radical hipster – there is a genuine applicability there, even now in computation. In short; ‘Context’ is not a particularly helpful way of articulating novelty in expression.

Misconceptions can be avoided if you just read the material and be honest about it. Incidentally, the same can be said of Wolfram in fact: everyone who vaguely knows his work has in reality hardly read the 1,200 page book from cover to cover. “Wolfram harbours an idealist agenda of religious metaphysics”. Yeah, he kinda does, but that’s a really bad reading that understands one aspect and assumes everything else follows it. Same with Greenberg.

Actually read it please –  Do it. Spend the time. Learn things. Be surprised.

(Someone actually asked me earlier exactly how much time one should put by to read and digest Wolfram’s NKS in full. I’ve been reading it since 2004, but realistically… 4 months I’d say. 1 month for the main text – the next three for the notes).

A good commentary video on the work at Transmediale

03-Feb-12

I’ll write a longer response to Harman’s keynote last night – but to give you flavour of the festival here’s a neat video of what’s going on this year.

The first guy is Morten Riis from Aarhus, by the way. Fantastic project.

Transmediale stuff

02-Feb-12

Ok – it’s time that I updated everyone on the last two days.

So transmediale is going well. There’s a nice vibe going on, as I expected everyone is in good sprits and enjoying the festival events. There are A LOT of people here, pretty much 1000 maybe even 2000+ are expected over the course of the five days so its a lot bigger than I thought. Lots of great projects too. There’s a guy giving away all his stuff on the bottom floor of the Haus der Kulturen der Welt, in exchange for attention to his lecture on Vimeo, which seems interesting although the point (or lack thereof) eludes me. The main centrepiece is from Ben Woodenson’s called - Health and Safety violation No.36, which can deliberately cause harm to the participant (you have to sign a form before you can touch it). There are signs everywhere saying ‘Vorsicht!” and “Elektrozaun!”.

Along with Magda and Andy from our research group, we moderated a panel of PhD students and artists yesterday and it was terrific. The group students talked about their work and research throughout the day. The next generation of digital art is in safe hands in my opinion. There’s enough charge, anger and wit to create a number of long lasting projects. Magda and Andy set the agenda for talking about the relationship between ‘theory’ and ‘practice’ and the functional, yet now debilitating role of institutionalised ‘research’. Does art only have value when it’s backed by research or should we organise our own structures which  independent value? The students had some great responses to this – and didn’t shy away from hard answers.

Rather unexpectedly I spent the morning and early afternoon with Graham, which was a pleasure. We visited the Hamburger Bahnhof to see Tomas Saraceno’s exhibition (plus a bit of Beuys and Roman Opalka) and talked substantially about the role of art, philosophy, even computer science. Rather refreshingly we agree on a number of key areas; we particularly dislike the unnecessary hatred of Greenberg and Fried – besides the usual philosophical issues. He has now set me the (difficult but enjoyable) task of producing a list of artists who a. have had the most impact and b. who have created artworks with the greatest qualities since 1950 or 1960. Impact does not always lead to quality, so the distinction is acute. (Actually I’m beginning to think Opalka on the quality side personally speaking – maybe Florian Slotawa too.)

What’s nice about Graham is that he’s honest about what he says. And that’s important. You can’t just pretend that you have an answer to everything, or you think you can explain one through an opinion “because” you’re an academic. These things take time and work.

So roll on the with the keynote.

 

In/compatible Streaming

01-Feb-12

HERE. Although it appears to work fine. (need high bandwidth).

Madga, Andy and myself will be jointly closing the day at about 15.13 Europe time.

Fire in the lobby

31-Jan-12

Not sure if I’m staying in the same Hotel Graham’s staying in – (well it’s the same chain for sure) – but yes the fire is nice in the lobby and very welcome in my room. Especially as it’s minus 7 outside.

Off to transmediale..

30-Jan-12

… so to those who are going, catch you there tomorrow. I’m flying from London tomorrow morning.